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Compost Studios:

A blog devoted to the art of reducing, reusing, and recycling experience through words, images, and poetry.

Studio Favorites
  • Visual Chronicles: The No-Fear Guide to Creating Art Journals, Creative Manifestos and Altered Books
    Visual Chronicles: The No-Fear Guide to Creating Art Journals, Creative Manifestos and Altered Books
    by Linda Woods, Karen Dinino
  • Good Poems
    Good Poems
    Penguin (Non-Classics)
  • Journal Revolution: Rise Up & Create! Art Journals, Personal Manifestos and Other Artistic Insurrections
    Journal Revolution: Rise Up & Create! Art Journals, Personal Manifestos and Other Artistic Insurrections
    by Linda Woods, Karen Dinino
  • Revolutionary Road (Movie Tie-in Edition) (Vintage Contemporaries)
    Revolutionary Road (Movie Tie-in Edition) (Vintage Contemporaries)
    by Richard Yates
  • Poems to Live By: In Uncertain Times
    Poems to Live By: In Uncertain Times
    Beacon Press
  • True Vision: Authentic Art Journaling
    True Vision: Authentic Art Journaling
    by L.K. Ludwig
  • Schylling Sock Monkey
    Schylling Sock Monkey
    Schylling
  • Last Chance Harvey
    Last Chance Harvey
    starring Dustin Hoffman, Emma Thompson, Kathy Baker, James Brolin
  • Journal of a Solitude
    Journal of a Solitude
    by May Sarton
  • Penelope
    Penelope
    starring Christina Ricci, James McAvoy, Catherine O'Hara, Reese Witherspoon, Peter Dinklage
  • The Weight of Oranges/Miner's Pond
    The Weight of Oranges/Miner's Pond
    by Anne Michaels
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Copyright 2005-2009
Veronica McCabe Deschambault, V-Grrrl in the Middle, Compost Studios. All rights reserved. Content may not be posted or broadcast online or in other media without written permission.

 

 

Sunday
05Jul

Card making

Sometimes I wander repeatedly into my studio, pull out supplies, consider ideas, and make absolutely nothing. Writing comes easily to me but making art does not. I often feel blocked and uncertain. I'm still learning to just open up to the process and move forward even when I don't know where I'm going. This card was the result of forcing myself to stay in the chair at my studio table and push myself a bit. It incorporates bits and pieces from previous projects.

Thursday
02Jul

Art Journal

This art journal piece is a dreamscape of memory, a moment between day and night, between land and water, between reality and fantasy. The colors are a bit too intense and Thomas Kinkade-ish, but I like the mood. I may try applying a color wash to the original to tone it down a bit. I hadn't painted since last summer and really enjoyed doing the trees.

Thursday
02Jul

Turning Twenty-Three

by Anne Michaels

 

You turned twenty-two in the rain.

We walked in rubber boots

along Lowther, the street shiny as albumen

under streetlamps.

 

At midnight, the sky suddenly clear,

we drove your jazz-filled car

through cold pungent streets to the lake

where we collected stones by flashlight.

The wind wrapped us in its torsions,

we couldn't hear each other although we shouted,

wet with star-swallowing waves.

 

By morning the stones we'd found

were dull with air,

but I couldn't forget the smell

of the trees' intimate darkness,

the scattered sound of the rain's distracted hands,

husks of buds in green pools on the sidewalks.

 

To love one person above all others

is despair, you said, turning twenty-two.

Propaganda of the senses, the narrow-minded heart--

 

We are magnets, averted

by our sameness.

 

Above the corrugated, elastic lake

the darkening sky holds out its arms.

A thousand miles away, you're turning twenty-three.

 

I repeat your name, each time different,

into sand, into moonlight.

 

Far off, the lake crumbles at its edges,

the sky holds out its arms.

 

Tuesday
30Jun

Review: Penelope

Restless but tired and looking for something to do, I cruised Netflix's instant viewing section over the weekend and came across the movie Penelope. A double-click later, and I was engrossed in a modern day fairy tale starring Christina Ricci and James McAvoy.

As a result of a generations-old family curse, Penelope was born to her blue-blooded parents with the face of a pig. Her father, played by Richard Grant, takes things in stride, but her mother is hysterical, willing to take extreme measures to protect Penelope from shame and degradation and the paparrazzi that are stalking her.

The curse can only be broken when Penelope is loved by someone of her own kind, so when she becomes an adult, her mother devotes all her energy to finding a socially elite suitor from the upper crust for her. Penelope becomes bored and discouraged with the process and longs for a normal life. The movie's story revolves around what happens when James McAvoy is sent into Penelope's life to take advantage of her and her situation.

Reese Witherspoon, the movie's producer, plays a supporting role as Penelope's Vespa-driving, leather-jacket wearing girlfriend. It's fun to see Reese be a tough-talking bad grrrl for a change.

Christina Ricci was perfect for the lead role, her large expressive eyes conveying an otherworldliness that suited this modern day fable. James McAvoy delivers a sympathetic performance as Max, Penelope's suitor. Catherine O'Hara, as Penelope's overbearing and misguided mother, almost steals the show.

The script is funny, the action interesting and nicely paced, and the characters are entertaining. The movie delivers multiple valuable messages about beauty, acceptance, celebrity, and social class. I really enjoyed this film, and so did my 11-year-old daughter.

Fun to rent or watch via Netflix, and the perfect birthday gift for a tween girl or young teen. Rated PG. 

 

Sunday
28Jun

Art Journal

I don't know what I think of this.  It just is what it is, and I'm not even sure it's finished.

Broken Branch