Scenes from Italy: The Entrepreneurs
The Metro teems with people and pickpockets, musicians and beggars.
Three boys under 12 step into our car, two are wearing accordions, the third, a bit younger, carries a maraca. They call out to the crowd and start playing. The only one with rhythm is the one shaking the maraca and his little booty.
They play one song, then sputter out, disagreeing over what to play next, subjecting us to their misfires and false starts before passing their paper cup through the car.
Hours later in the city, we’re sitting in a pizzeria, gazing out the window into the narrow street, and the two older boys reappear. No longer burdened with their accordions, they are footloose and fancy free, glancing down the street as they not-so-secretly check to see if all the bicycles in the rack next to the sidewalk are secured.
***
The tourists and street vendors both congregate at the Spanish steps, next to the house where the poet John Keats died of consumption. The streets around Piazza Espagna are lined with designer shops: Gucci, Valentino, Dior, Dolce & Gabana, MaxMara, Prada. There are $3000 coats and $500 jeans on display. On the sidewalks in this quarter, Africans sell designer knockoffs from tiny blankets while Indians on foot sell an endless variety of trinkets.
The roaming peddlers try to sell us toy bubble shooters, stretchy, squishy toys, whizzing magnets, beads, scarves, umbrellas, postcards. Most of the time they will take no for an answer and move on, but some can be aggressive in making their pitch, which is when my respect for their willingness to hustle a living tips toward annoyance and disgust.
When I’m on my own and not with E, they get in my face, trying to sell me the ugly plastic beads coiled on their arms, the Indian silver in their hands. When I refuse their offer, they don't give up and try to barter with me. I’m a fool with good manners, thinking saying “no thank you” will end this exchange. I look away, they persist, and I stop just short of giving one guy a shove. Nice Grrrl no more.
Elsewhere on the piazza, I see men making the rounds, handing out single red roses to women and then harassing them for payment while refusing to take the rose back. I vow that if they offer me a red rose, I will accept it with smile, and crush it under my heel while they watch. That will teach them not to mess with American women. Where I come from, No means NO.
***
Our last day in Rome, we are visiting the Pantheon. In the piazza, vendors have completely surrounded the fountain with their various wares spread out on blankets. Suddenly, I hear a buzz among the sellers and all heads turn toward a narrow alley feeding into the piazza. A police car is pulling up right onto the square and in the blink of an eye, all the vendors disappear as they grab the four corners of their “stores” and dash down an alley on the other side.
The police jump out of the car, motioning at them to return and when that gesture is ignored, they point and wag their fingers at them.
Busted? Not quite. Scattered? Yes.
***
In the Metro station, a man takes a position by the steps each morning and sets up his begging station. He is clean and well shaven. He walks with a single crutch. He sits on the concrete and rolls up his baggy pants to reveal his withered legs. When it’s warm enough, he rolls his pants up over his thighs to display the long white scar that runs from hip to knee.
He is there early in the morning and late at night and he begs and begs and begs some more. E-Grrrl drops a few coins into his cup. So does Mr. A. They have pity for him but my heart hardens day to day as I watch him work his gig.
I’m surprised how much his presence annoys me. In my Scrooge moments, I tell myself that if he can show up every day and sit in one place, he can get a job. Then I realize that he has a “job” and this is it. Why do I care how he earns his living? What business is it of mine? He makes no pretense about his begging. He isn’t stealing or harassing passersby. He's just asking for money.
Over time, I realize that what bothers me isn’t the begging but the display of his crippled legs and scars. He has set his affliction before us. He has chosen to let it define him, and to impress upon those he meets that he deserves to be compensated simply for being what he is.
I remember a picture of Jesus my mother kept on her dresser that showed him with his chest open and his heart punctured with thorns. The people walking past this beggar day after day have their own thorns in their hearts-- disappointment, despair, broken relationships, dead loved ones, lost opportunities, health problems, financial pressures and losses.
What if the beggar could see their scars, if the passersby revealed their thorns? Would he see his legs in a new light? Would he toss us a coin? Would he weep? Or would he do as we so often do, turn and look the other way?
***
Walking at night with a cone of roasted chestnuts in my hand, I’m approached by a little girl who speaks in Italian and motions toward my food.
I reach into the cone and put a chestnut, warm and plump, into her outstretched hand. She immediately puts out her other hand, speaking rapidly in Italian, her big brown eyes meeting mine, her curly hair bouncing. I press a second chestnut into her palm and watch her disappear into the crowd.
I wonder if she’ll get to taste the bounty or whether someone more powerful than her put is exploiting her cuteness for their own gain. I sigh and I hope she gets to pull the nutmeat out of the papery shells and sink her teeth into the starchy goodness.
I saw a boy on a Metro, no older than six, walking with a cheesy electronic keyboard that was set to play a tinny version of Silent Night automatically. He is carrying a cup like a street musician, even though he can't actually play any music.
It would almost be funny if his face weren't so sad, so pathetic. These children aren't ragamuffins. They're normally clean and well dressed, not skinny and neglected looking, but their parents, their community, their culture, teach begging as a way of life. It's hard to understand, even harder to watch.
I couldn't wait to get off at the next stop.
Copyright 2006 Veronica McCabe Deschambault. All rights reserved. www.v-grrrl.com
November 29, 2006